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Thirst: The Desert Trilogy, by Shulamith Hareven
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Description:
Israeli novelist and activist Shulamith Hareven's masterpiece, Thirst: The Desert Trilogy, contains three of her greatest works: The Miracle Hater, Prophet, and After Childhood. In these beautifully written novellas, Hareven recasts the the biblical journey from exodus to the Land of Israel in a terrifically imagined contemporary voice. Hareven’s spare and spacious prose howls with the grandeur of the desert wilderness and the mythic beginnings of her nation and her people. Enlarging one of the world’s most dramatic and beloved stories, Hareven shifts our focus from the typical heroes—the great and powerful men of history—to the margins: a disillusioned shepherd who loses faith in his leaders; a would-be prophet from a distant city whose fate becomes entwined with the Israelites; an unhappy couple living at the very edge of civilization.
Hareven, whom the the French weekly L'Express listed among the "100 women who move the world,” was the author of 19 books and the first female member of the Academy of the Hebrew Language. As a journalist, she covered two wars and wrote seminal articles on the plight of Palestinians. She became a prominent spokesperson for Israel’s Peace Now movement. Shimon Peres, former president of Israel, called Thirst "both timeless and timely." Now available for the first time as an eBook, Thirst explores with subtlety and depth how individuals learn to relate to nature, to society, and especially to the divine.
Praise:
“The novellas in Thirst present the wilderness story as seen from below, from the point of view of the nomads, not their leaders….The success of Thirst rests entirely on the author's evocative and lush prose.”
—The New York Times
“These are apocryphal tales that, at their best, possess a shimmering, timeless quality.”
—Publishers Weekly
“Shulamith Hareven is a great writer....It is immaterial when the plot takes place: the plot itself creates history, and time becomes a kind of clock, showing the ostensible hour, but never determining the period. Shulamith Hareven writes with integrity; her historical and human truthfulness cannot be lost in translation. She makes all our lives richer, traversing all borders.”
—Shimon Peres, President of Israel
“Her trenchant subversion is sane, even liberating… Hareven’s lean sentences parallel the Bible’s poetic, precise cadence, even as she defiantly proclaims that those holy words are not engraved in stone.”
—Voice Literary Supplement
About the Author:
Shulamith Hareven was born in Warsaw, Poland but grew up in Jerusalem, where she lived until her passing in 2003. A writer, translator, and activist, Hareven served as a writer-in-residence at the Hebrew University in Jerusalem and was the first (and for twelve years, the only) female member of the Academy of the Hebrew language.
In 1962, she published her first book, a book of poems titled Predatory Jerusalem. After that, she wrote prose books, translations of books, and plays. She published essays and articles about Israeli society and culture in literary journals Masa, Orlogin, and Keshet, and in newspapers Al Ha-Mishmar, Maariv, and Yedioth Ahronoth. Her essays are collected in four volumes. She also published a thriller under the pen name "Tal Yaeri.” Her books have been translated into 21 languages.
About the Translator:
Hillel Halkin is an American-born Israeli translator, biographer, literary critic, and novelist, who has lived in Israel since 1970. Halkin translates from Hebrew and Yiddish literature into English. He has translated Sholem Aleichem's Tevye the Dairyman, and major Hebrew and Israeli novelists, among them Yosef Haim Brenner, S. Y. Agnon, Shulamith Hareven, A. B. Yehoshua, Amos Oz, and Meir Shalev.
- Sales Rank: #1225273 in eBooks
- Published on: 2015-01-06
- Released on: 2015-01-06
- Format: Kindle eBook
Amazon.com Review
It may be unfair to read Shulamith Hareven's historical fiction as an allegory of modern times, but it is difficult not to do so. All three stories in Thirst: The Desert Trilogy are set during the period concurrent with the dramatic narrative of national trial contained in the Book of Exodus. Hareven's short stories are not concerned, however, with the well-known events that mark the Hebrews' time in the wilderness, though Moses and Joshua are both mentioned. Her attention is fixed on the base characters and the difficulties they face before reaching the Promised Land: one man loses his faith when the priests ignore issues of Justice; a young man learns that his father contemplated sacrificing him to settle accounts with God. Hareven, herself a committed political activist involved with Peace Now, may be conjuring the land and stories that shaped the Hebrew people, but her thoughts cannot be entirely unrelated to her hopes for today.
From Publishers Weekly
Hareven, one of few women widely accepted in Israel as a member of that country's intellectual elite, is better known for her eloquent essays than for her fiction. Here, however, three novellas bring to life many of the same issues?justice, Jewish identity, application of religious tenets in real life?explored in her nonfiction (Vocabulary of Peace). Common to all three novellas are Old Testament-era desert settings, as well as Hareven's highly distilled, poetic evocation of place. Set against the Hebrews' 40 years in the wilderness, "The Miracle Hater," involves Eshkar, a young man who is kept from his beloved Baita by strict Jewish elders. When Baita falls ill and dies, Eshkar decides "he wanted nothing more to do with God" until his faith is restored in a story that shows Hareven's subtlety and compassion. "The Prophet," about a Gibeonite who loses his powers of prophecy when his people need them the most, is hindered by the lack of convincing character development. "After Childhood," published here in English for the first-time, offers a female perspective on life in a Jewish desert village. Moran, a shy young woman from the mountains, agrees to marry a longtime bachelor, Salu, so she can move to the desert she's always dreamed of. When Salu is unfaithful, Moran finds solace in her family and land. Throughout, Hareven pinpoints the human perspective in the midst of biblical settings and themes. These are apocryphal tales that, at their best, possess a shimmering, timeless quality.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
In this work, Hareven (Twilight and Other Stories, LJ 3/1/92), one of the few Israeli women writers to be translated into English, completes her tales of the Jews' wandering during the time of the biblical exodus. The three novellas included here are linked by theme, setting, and style. "The Miracle Hater" deals with the earliest Israelites, the Children of Israel fleeing Egypt under the leadership of the remote and aloof Moses. "The Prophet," a tale about the seer Hivai, is set in the ancient landscape of the Judean hills, with the Gibeonites and Israelites as antagonists. "After Childhood," appearing here in English for the first time, presents a strong female character, Moran?a woman from the mountains who brings strength and purpose to her husband's desert village. All three novellas are written with great narrative skill in a spare style that complements the desert landscape described. The people are portrayed as filled with brooding and spiritual longing on the one hand?where is the god of Moses??and strong emotional tensions on the other?who will attack us next? Hareven uses the moral verities found in the biblical narrative to create strong myths for our time. Highly recommended for all libraries.?Molly Abramowitz, Silver Spring, Md.
Copyright 1996 Reed Business Information, Inc.
Most helpful customer reviews
8 of 9 people found the following review helpful.
Shulamith Hareven Serves Manna From Heaven
By Robin Knight
I ordered this book from Amazon because I had been impressed by the author's short story, "My Straw Chairs", included in"The Oxford Book Of Hebrew Short Stories".
"My Straw Chairs" is set in the here and now of Israel, written in the first person , autobiographical style, from the viewpoint of a mature female Academic, a woman such as the author herself, of whom the Oxford Book Of Hebrew Short Stories has this to say:
"Shulamith Hareven, who lives in Jerusalem, was born in Poland in 1931 and reached Palestine in 1940. She served as a medical orderly during the Siege of Jerusalem in 1948. She is now a columnist for the daily "Yedi 'ot Aharanot".She has published fifteen books, including poetry. Anthologies of short stories, novellas, essays, children's books, and thriller. Her work is marked by a wide variety of subject-matter. Whether her central characters are biblical prophets in the desert or cosmopolitan women living in modern -day Jerusalem, their predicament is the same, invariably involving loneliness and alienation, their relationships strained and peculiar."
And in "Thirst,The Desert Trilogy," the "cosmopolitan woman living in modern-day Jerusalem" writes of "biblical prophets in the desert", yet we never meet Moses himself, nor his inner cabinet. Instead the three novellas in the trilogy , "The Miracle Hater, Prophet" and "After Childhood" deal with the bewildered communities who followed them for forty long years, becoming steadily more removed from their origins, more uncertain about their futures, and more alienated from their traditional ways and from each other.
The wandering has been long and tedious. The original emigrants, once so full of confidence, so imbued with the spirit, now barely remember the reasons for their exodus , while for their children, and their children's children, the details of the bright new life promised to them have become a little- believed mythology. Moses has become a remote, legendary figure, and the laws handed to him have become overworked and unworkable, misquoted and misinterpreted- and, by some, periodically, deliberately, ignored as they begin to doubt the power of this God they follow.
They wander, bewildered, lost, unmotivated, unmethodical, gradually scattering, the varied origins of the many clans and tribes accentuating their differences until they are less than cooperating kith and kin and closer to quarrelsome, distrustful neighbours.
Nor is the desert of their wanderings the barren, unpopulated place the Bible would have us believe. Other groups and individuals are encountered by the emigrants- other, inhospitable folk not following this new ONE God, and , while some would learn of Him, some would challenge Him and some would mock. And there are wars, and cities besieged and destroyed and abandoned and resettled. And, all the time, some still wander, and in their bewildered wandering, with always the doubting, the questioning, the uncertainty, and the new horizon forever receding, there is the threat that the old roots will be left to wither, until it seems that only kinship and GROUP and family have any meaning. And gradually the reader comes to realise that these are the tenets the wanderers must grasp, and clasp, and preserve at all costs, so that the traditional rituals that keep the old ways alive in memory will become the bridge between the old world and the new world promised to them, that world which so many of these pilgrims, and those who follow, will never see.
This is an enjoyable book, beautifully written , its readability uncompromised by the awareness of translation, since Shulamith Hareven worked with the translater, Hillel Halkin, to recreate the narrative, which flows as smoothly as the desert sands themselves.
And whether you want to read it to find out about how Jewish people think, and a little of "why", I can recommend "Thirst, The Desert Trilogy"
If your taste is for the kind of insightful writing women seem able to produce, you will enjoy "Thirst"!
And if you hunger for "Food For Thought", Shulamith Hareven has set a banquet before you!
And if you just want "a good read", with no ulterior motive at all, this "Desert Trilogy" will not disappoint.
2 of 2 people found the following review helpful.
Existentialist Exodus, postmodern Promised Land?
By John L Murphy
As biblical novellas narrating the raw core of what became mythic tales of Exodus and the settlement of Canaan, "the Desert trilogy" explores everyday characters on the fringes of the Hebrew migration and conquest. Hillel Halkin skillfully translates Israeli novelist Shulamith Hareven's spare, poetic, and blunt shifts of tone. Her characters struggle at the margins, far from Moses or Joshua, and they witness the dramatic changes in their lives distanced from the heroes, among scrub, wilderness, mountain hamlets, flimsy campsites, and uneasy cities, isolated and vulnerable. How the Exodus felt, if you were the type who was pushed aside or stayed out of Moses' way.
These accessibly told, yet literate and elegantly phrased stories combine vivid protagonists with an omniscient point-of-view which glides from interior observations of characters with untutored, basic perceptions to unsparing, distanced, modernist dispassion about their fates. We care about them, but we also watch them along with Hareven, as from a detached, resigned, existential perspective. All three figures "thirst" for understanding, but they confront a tense terrain where borders are invisible and where journeys may end in betrothal, betrayal, or sudden execution, and where enemies lurk unseen.
Eshkar's resentment of Moses and his fellow Hebrews who keep wandering in Sinai when they could easily enter the Land of Promise comprises "The Miracle Hater." The rabble of fleeing slaves and castaways from Egypt, along with hangers-on and no-accounts, relies on their leader. Moses promises the crowd they will enter the Land, but he exacts from them fealty. "He talked on about olives, about pomegranates, about grapes, about figs, and wearily they answered, yes, yes, anything you say, as long as we don't all have to drop dead in this desert, amen. No, they would make no more statues or graven images. Yes, they would not murder. They would not bear false witness. Whatever he told them, amen."
After the Golden Calf debacle, they submit to the Law. But, Eshkar cannot, and he herds beyond the movable camps of the desert tribe. "The deception of miracles was keeping them purblind and lost." (51) He enters Canaan, he sees it, and he returns, wondering why those he leaves behind delay.
There's no pat endings for his tale or the other two, but Hareven arranges the simple events in a manner that reflects how what the Bible makes grand once was so ordinary, as with Passover and the "tenth plague" emerging out of events barely elaborated upon, in an existential time without miracles at least as Eshkar can see. For Hivai, in the middle novella, "Prophet," his failure as such for his besieged city of Gibeon compels him to flee to seek sanctuary in nearby Ai, as the Hebrews press their campaign. (This is the longest entry and there's some wandering in its telling; the other two are more tightly told, but it never lacks inherent interest.) What transpires leaves Hivai "neither Gibeonite nor Hebrew," and the original situation for the Hebrews as marginal border-dwellers and outcasts becomes, inextricably, his identity as he shares their fate but not their satisfaction with the Land of Promise, until he meets another exile.
"After Childhood" takes us to the other vantage point, that of Salu, a "blinker" who lives in a hardscrabble hamlet near the Wilderness of Zin a few years or generations later. His marriage to a mountain dweller, Moran, allows Hareven to alternate between two main protagonists, and this enriches this evocation of the barren landscapes and intimate challenges faced by a bickering couple.
Just before the story concludes in a moving scene, Moran prefers--much of the book is in interior monologue with little dialogue--to stay apart from her Hebrew neighbors and family. "[S]he would rather God stayed away from her. Let him ignore her in his heaven, because the gods burned all when they came. They brought death and sickness and madness and drought. It's all we can do to make good what they ruin. Spare us both their honey and their sting. We're no match for them." (183)
Hareven's trilogy may be a metaphor for Israel and Palestine since, and this adds depth to her story, but taken on its own terse terms as an eloquent evocation of how people once scraped out a bare living in harsh times, it's also a universally applicable theme which will reward any careful reader. (For a complementary spin on the lives of Jesus and Judas, see Malachi O'Doherty's e-book "Iscariot," reviewed by me Jan. 2013.)
0 of 0 people found the following review helpful.
I love it!
By Book lover
I have just started this ebook, so my answers may not be complete. So far (I'm in the first book of three), I love it!
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