Senin, 29 September 2014

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Bases of Adult Attachment: Linking Brain, Mind and BehaviorFrom Springer

A great deal is known about how infants form attachments, and how these processes carry over into adolescence. But after that, the trail grows cold: the study of adult attachment emphasizes individual variations, paying little attention to the normative mechanisms of adult bonding.

A much-needed corrective, Bases of Adult Attachment examines this under-investigated topic with an eye toward creating a robust theoretical model. The first volume of its kind, its multilevel approach integrates current findings from neuroscience and psychology to analyze the processes by which adult relationships develop, mature, function and dissolve. Here in relevant detail are factors contributing to initial attraction, possible scenarios in the evolution from friendship to attachment and the changes that occur on both sides of a relationship as partners mutually influence each other's behavior, emotions, cognition and even physiology. And expert contributors address long-neglected questions in the field with stimulating topics such as:

  • The distress-relief dynamic in attachment bonding.
  • An expectancy-value approach to attachment.
  • The biobehavioral legacy of early attachment relationships for adult emotional and interpersonal functioning.
  • How early experiences shape attraction, partner preferences, and attachment dynamics.
  • How mental representations change as attachments form.
  • Insights into the formation of attachment bonds from a social network perspective.

Bases of Adult Attachment will interest scholars approaching adult attachment at multiple levels of analysis (neural, physiological, affective, cognitive and behavioral) and from multiple perspectives. This wide audience includes developmental, social and cognitive psychologists as well as neuroscientists, neuropsychologists, clinicians, sociologists, family researchers and professionals in public health and medicine.

  • Sales Rank: #2106693 in Books
  • Published on: 2015-01-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .50" w x 6.14" l, .0 pounds
  • Binding: Hardcover
  • 196 pages

Review

“This is a strong contribution to the literature on adult attachment. Each chapter is capably written by researchers who fit their work into a larger puzzle, providing new insights, asking probing questions, carefully considering alternative explanations, and providing stimulating directions for future research. Clearly the topic of adult attachment has a rich future, and this volume provides a first-rate look at the current state of the field.” (Susan L. O’Donnell, PsycCRITIQUES, Vol. 60 (32), August, 2015)

Review
  

From the Back Cover

A great deal is known about how infants form attachments, and how these processes carry over into adolescence. But after that, the trail grows cold: the study of adult attachment emphasizes individual variations, paying little attention to the normative mechanisms of adult bonding. 

A much-needed corrective, Bases of Adult Attachment examines this under-investigated topic with an eye toward creating a robust theoretical model. The first volume of its kind, its multilevel approach integrates current findings from neuroscience and psychology to analyze the processes by which adult relationships develop, mature, function, and dissolve. Here in relevant detail are factors contributing to initial attraction, possible scenarios in the evolution from friendship to attachment, and the changes that occur on both sides of a relationship as partners mutually influence each other's behavior, emotions, cognition, and even physiology. And expert contributors address long-neglected questions in the field with stimulating topics such as:  

  • The distress-relief dynamic in attachment bonding.
  • An expectancy-value approach to attachment.
  • The biobehavioral legacy of early attachment relationships for adult emotional and interpersonal functioning.
  • How early experiences shape attraction, partner preferences, and attachment dynamics.
  • How mental representations change as attachments form.
  • Insights into the formation of attachment bonds from a social network perspective.

Bases of Adult Attachment will interest scholars approaching adult attachment at multiple levels of analysis (neural, physiological, affective, cognitive, and behavioral) and from multiple perspectives. This wide audience includes developmental, social, and cognitive psychologists as well as neuroscientists, neuropsychologists, clinicians, sociologists, family researchers, and professionals in public health and medicine.

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0 of 0 people found the following review helpful.
Lisa Diamond's chapter on attachment and current brain science helps ...
By Dee Wagner
Lisa Diamond's chapter on attachment and current brain science helps us understand the overlap of these two important aspects of our being!
-author Naked Online: A DoZen Ways to Grow from Internet Dating

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Minggu, 28 September 2014

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Mrs Dalloway (French Edition), by Mrs Virginia Woolf

Résumé : Le récit décrit une journée de Clarissa Dalloway, dans l'Angleterre d'après la Première Guerre mondiale. Elle se rend d'abord chez le fleuriste, mais loin de se centrer sur ce seul personnage, Virginia Woolf offre une fresque de la ville de Londres et de ses habitants, vie rythmée pour tous par Big Ben. Peu après, Mrs. Dalloway revient chez elle, et alors qu'elle fait le point sur le choix qu'elle a fait des années plus tôt d'épouser Richard Dalloway au lieu de Peter Walsh, elle reçoit la visite impromptue de ce dernier soupirant. La conversation avec ce dernier est émaillée par le ressac d'anciens souvenirs qui jaillissent dans l'esprit de Clarissa. Ici, Virginia Woolf réussit à entrecroiser surface des choses et exploration en profondeur des consciences intimes au fil des secondes qui s'écoulent, dans le désordre apparent de ce qui surgit en soi et dans le monde. En contrepoint de Clarissa Dalloway, le récit s'attarde sur Septimus Warren Smith, un jeune ex-militaire qui souffre depuis son retour du Front, d'hallucinations et de schizophrénie. Ce jour-là, il se défenestre au moment où le médecin qui le soigne cherche à l'interner. Or, ce même médecin se trouve être un des invités à la soirée de Mrs. Dalloway, et quand il mentionne devant elle cet événement, Clarissa se retire à l'écart, bouleversée par le choix de ce jeune homme que, pourtant, elle ne connaît pas.

  • Published on: 2015-01-12
  • Format: Large Print
  • Original language: French
  • Dimensions: 9.21" h x .65" w x 6.14" l,
  • Binding: Paperback
  • 288 pages

Review
"Virginia Woolf stands as the chief figure of Modernism in England, and must be included with Joyce and Proust in the realizaztion of experimental acheivements that has completely broken with tradition."-- The New York Times

About the Author
Virginia Woolf (Adeline Virginia Alexandra Stephen 25 janvier 1882 - 28 mars 1941) est une femme de lettres anglaise, l'une des principales autrices modernistes du XXe siècle, et une féministe. Pendant l'entre-deux-guerres, elle fut une figure marquante de la société littéraire londonienne et un membre central du Bloomsbury Group, qui réunissait des écrivains, artistes et philosophes anglais. Les romans Mrs. Dalloway (1925), La Promenade au phare (1927) et Orlando (1928), ainsi que l'essai Une chambre à soi (1929) demeurent parmi ses écrits les plus célèbres. Woolf souffrait d'importants troubles mentaux et présentait tous les signes de ce qu'on nomme aujourd'hui « trouble bipolaire » ; en 1941, à l'âge de 59 ans, elle se suicida par noyade dans la River Ouse, près de Monk's House, dans le village de Rodmell, où elle vivait avec son mari Leonard Woolf. Biographie : Virginia Woolf est née à Londres de Sir Leslie Stephen et Julia Stephen Duckworth (dite aussi Julia Prinsep - née Julia Jackson : 1846–1895), elle fut éduquée par ses parents à leur domicile du 22 Hyde Park Gate, Kensington dans une ambiance littéraire de la haute société. Les parents de Virginia étaient tous deux veufs lorsqu’ils se marièrent : ainsi, leur maison regroupait les enfants de trois mariages différents. Les enfants de Julia et de son premier époux Herbert Duckworth : George Duckworth (1868–1934) ; Stella Duckworth (1869–1897) ; et Gerald Duckworth (1870–1937). La fille de Leslie et de sa première épouse Minny Thackeray, Laura Makepeace Stephen, qui fut diagnostiquée handicapée mentale et vécut avec eux avant d’être placée dans un asile en 1891 jusqu’à la fin de ses jours. Enfin, les enfants de Leslie et Julia : Vanessa (1879–1961) ; Thoby (1880–1906) ; Virginia et Adrian (1883–1948). Sir Leslie Stephen, écrivain, éditeur et alpiniste, était veuf de la fille aînée du romancier William Makepeace Thackeray. Julia Stephen était, quant à elle, descendante d’une famille (les sœurs Pattle) déjà connue pour son implication dans la vie intellectuelle de la société victorienne, comme le salon tenu au milieu du XIXe siècle par sa tante Sarah Prinsep (mère du peintre préraphaélite Val Princep).

Most helpful customer reviews

240 of 255 people found the following review helpful.
The Mystery of Human Personality
By A Customer
Although the time covered in this complex novel is only one day, Virginia Woolf, through her genius, manages to cover a lifetime unraveling and exposing the mysteries of the human personality.
The central character of the novel is the delicate Clarissa Dalloway, a disciplined English gentlewoman who provides the perfect contrast to another of the book's characters, Septimus Warren Smith, an ex-soldier whose world is disintegrating into chaos. Although Clarissa and Septimus never meet, it is through the interweaving of each one's story into a gossamer whole that Woolf works her genius.
The book is set on a June day in 1923, as Clarissa prepares for a party that evening. Unfolding events trigger memories and recollections of her past, and Woolf offers these bits and pieces to the reader who must then construct the psychological and emotional makeup of Clarissa Dalloway in his own mind. We also learn much about Clarissa through the thoughts of other characters, such as her one-time lover, Peter Walsh, her friend, Sally Seton, her husband, Richard and her daughter Elizabeth.
It is Septimus Warren Smith, however, driven to the brink of insanity by the war, an insanity that even his wife's tender ministrations cannot cure, who acts as Clarissa's societal antithesis and serves to divide her world into the "then" and the "now."
In this extremely complex and character-driven novel, Woolf offers her readers a challenge. The novel is not separated into chapters; almost all of the action occurs in the thoughts and reminiscences of the characters and the reader must piece together the story from the random bits and pieces of information each character provides. The complexity of the characters may add to the frustration because Woolf makes it difficult for the reader to receive any single dominant impression of any one of them. This, however, forms the essence of the novel and displays the genius of Woolf: It is impossible to describe any human being in a simple phrase or collection of adjectives. We are many things to many people, all of them somewhat different, none of them the same, just as we are many things to ourselves.
Throughout the book, the reader is constantly called upon to compare and contrast Peter Walsh and Richard Dalloway, the two significant love interests in Clarissa Dalloway's life. Compared to Peter, an adventurer, Richard Dalloway appears more than a bit reserved and dour. But, readers must constantly question this view of Richard as his personality seems to alter with his altering relationships.
Intimacy, particularly emotional intimacy, and the preservation of one's uniqueness are two of Woolf's continuing themes. We find that Clarissa married Richard, in part, to preserve her sense of self; Peter would have demanded far more of her than she was, perhaps, willing to give. Here, Clarissa and Septimus, so outwardly different, would find they share much in common. While Clarissa feels threatened by her daughter's tenacious tutor, Miss Kilman, as well as by Peter, Septimus feels threatened by his doctor. Each feels the others are asking too much. Septimus and Clarissa even agree on the subject of death: "There is no death," Septimus declares, while Clarissa, the atheist, secretly believes that bits and pieces of her will remain intact forever.
Although some characters in this book may, at first, appear to be one-dimensional, we soon learn that all are extraordinarily complex. There is Sally, impulsive yet considerate; Richard, bashful yet timid; Peter inhibited yet adventurous; Septimus, insane yet credible. And Clarissa? She is all of these things and more.
It is, however, Woolf's torrential stream-of-consciousness prose that makes this novel a true masterpiece. Even those who find the plot of little interest will be drawn in by the exquisiteness of Woolf's language. This is a complex, character study in the fullest sense of the word, one with no easy answers, for Woolf, in the end seems to be telling us that perhaps, at our essence, we are all unknowable, even to ourselves.

83 of 88 people found the following review helpful.
Poetic lyricism in Virginia Woolf
By mcl
Any young aspiring writer should compare Woolf's early work, such as Night and Day to something like Mrs. Dalloway. The transformation in narrative strength is incredible. I think Woolf found her voice when she gave up on traditional technique and focused on vivid imagery, poetic language, and really getting into the souuls of her characters.
Her views on love in this boook are heartbreaking. Love serves as mere convenience, romance is just an illusion. 9 times out of 10 people choose safety. Pretty cynical viewpoint, but she lived during the days of a crumbling Empire and wrote about it beautifully. She really achieved her greatest literary power later on in life.
Also, this book studies insanity and the doctors who are impotent to help. I'm sure woolf would have the same view in today's heavily medicated society.
This book is not for the faint of heart. She does not hide characters emotions, but tends to dwelon their weaknesses. The final party scene is brilliant. If you like this book, read To The Lighthouse, which is equally brilliant.

131 of 146 people found the following review helpful.
Tough, but worth the effort
By Peggy Vincent
It's not really fair to judge this book or its author by today's standards, but damn, this is a hard read. I'd read it about 20 years ago and recall struggling with the endless sentences and the rambling explorations of Mrs. Dalloway's interior thoughts, her every little fleeting idea, and the tiny events of the day in her life which this book chronicles.
Then of course when The Hours was published, I rummaged around in the bookshelf, found it, and read it again.
And then the movie came out with that wonderful cast of characters, and, well, I had to read it a third time. And I'll say this: it takes more than a single reading to harvest all the gems from this dense prose. Mrs. Dalloway grew on me with the passage of time and with three careful readings. The studied explorations into past and present, men and women, women and other women, society and the family, love and regret...it's a lot to take on in what is really a pretty small book - and only someone of Woolf's talents and brilliance could have made so much of so little.
Highly recommended, but I'm sorry - you'll probably have to read it more than once to extract every single little diamond chip.

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Jumat, 26 September 2014

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Despite his increasingly successful career as an artist, Jonathan Starr was a young man haunted by his tragic childhood. Four-year-old Jonathan survived both a horrific car accident, which he believed claimed the life of his father, as well as the mysterious disappearance of his mother. He has decided to take time out of his burgeoning career to visit the area where he was raised in order to find out more about his parents.


A puzzling visit from a senior police officer, just prior to his leaving on the trip and a letter containing startling news, sets Jonathan on a quest to discover the truth about his parents. A journey that will take many unexpected turns but will ultimately lead to a tragic conclusion. 
Ascent of the Solitary Soul is the latest novel by Mike Streak, a widely travelled South African who has had a variety of careers and now runs a bakery in the Western Cape.

  • Sales Rank: #10897852 in Books
  • Published on: 2015-01-31
  • Original language: English
  • Number of items: 1
  • Dimensions: .86" h x 5.17" w x 7.83" l, .0 pounds
  • Binding: Paperback
  • 288 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
The underlying plot of this book is the quest by ...
By John
The underlying plot of this book is the quest by the central character to unravel the actual chain of events that left him an orphan at the age of three. The story-telling unfolds smoothly, avoiding the standard thriller genre cliches. The plot’s unfolding is subtle rather than forced and there is no attempt at a hard-bitten or edgy writing style. A second thread runs in parallel with the overt process of tracking down the mystery as the central character tries to come to terms with the psychological consequences of losing his parents at such a young age. The author balances these two aspects evenly throughout the book until their unexpected resolution at the end, deep in the Karoo. Though I would have preferred a slightly less deliberate and explicit writing style, the story develops its own momentum and carried me along for an enjoyable read on a cold winter's day.

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Minggu, 21 September 2014

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Les Misérables: Tome V - Jean Valjean (French Edition), by Victor Hugo, Ligaran

Extrait : "Jean Valjean prit Javert par la martingale comme on prendrait une bête de somme par la bricole, et, l'entraînant après lui, sortit du cabaret, lentement, car Javert, entravé aux jambes, ne pouvait faire que de très petits pas. Jean Valjean avait le pistolet au poing."

  • Sales Rank: #1907022 in eBooks
  • Published on: 2015-01-30
  • Released on: 2015-01-30
  • Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
Les Misérables Tome V Jean Valjean
By Doctor Moto
What else can be said about one of the world's masterpieces of literature? The monumental work by Victor Hugo follows the lives of Jean Valjean (arguably the central character of the story) and others, in a way that very much incorporates the reader into the action. This can become quite uncomfortable at times, as the experiences of the characters involve a good deal of physical and emotional hardship, sometimes very graphic. At the same time Victor Hugo provides the reader a magnificent glimpse of Paris in the early 19th century, and of French history, including one of the most compelling descriptions of the Battle of Waterloo, which resulted in the final defeat of Napoleon Bonaparte.
The book is not difficult to read provided the reader has a fair command of the French language. There are many XIX century terms, including argot which are difficult (or impossible) to translate. This does not detract from the enjoyment of the work, and in facts adds spice to the narrative, which is squarely placed among the common people of that era.

0 of 0 people found the following review helpful.
A must-have for any classic reader
By Red Roger
Introducing one of the most famous characters in literature, Jean Valjean - the noble peasant imprisoned for stealing a loaf of bread - Les Misérables (1862) ranks among the greatest novels of all time. In it Victor Hugo takes readers deep into the Parisian underworld, immerses them in a battle between good and evil, and carries them onto the barricades during the uprising of 1832 with a breathtaking realism that is unsurpassed in modern prose.

Within his dramatic story are themes that capture the intellect and the emotions: crime and punishment, the relentless persecution of Valjean by Inspector Javert, the desperation of the prostitute Fantine, the amorality of the rogue Thénardier and the universal desire to escape the prisons of our own minds. Les Misérables gave Victor Hugo a canvas upon which he portrayed his criticism of the French political and judicial systems, but the portrait which resulted is larger than life, epic in scope - an extravagant spectacle that dazzles the senses even as it touches the heart.

0 of 0 people found the following review helpful.
Oh who doesn't know the wonderful story of Les Mis
By discerning customer
Oh who doesn't know the wonderful story of Les Mis? But still, I have to say first, that if your French is not great, this book is still not that hard to read. When I started (volume 1), I was concerned that even with a high level of proficiency, I'd struggled with the old fashioned language. Nope, not that bad. Also I thought it might be like Moby Dick, something everyone says you should read but it's a real slog. Nope to that too.

It is quite sentimental, but the story is beautiful and once I finished reading I felt such an aching sadness. If you like French novels you should definitely make room for this at some time in your life.

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! Download PDF Pigments of Your Imagination: Creating with Alcohol Inks, by Cathy Taylor

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Pigments of Your Imagination: Creating with Alcohol Inks, by Cathy Taylor

Discover magic! Join the vibrant, prismatic world of luminous alcohol inks. Mercurial, versatile, inexpensive, and wildly colorful, alcohol inks are one of the newest mediums to hit the art community. Pigments of Your Imagination is your essential guide for working with alcohol inks, from choosing which inks to use for each project to learning how to maximize your artistic potential with a wide variety of fascinating techniques. Using an assortment of materials and tools, learn how to work on a variety of surfaces, including paper, glass, metal, fabric, and plastic. Find inspiration for your own masterpieces in the step-by-step demos and guest artist gallery. From the beginning craftsperson to the professional artist, Pigments of Your Imagination offers a broad insight into the expansive world of alcohol inks. Explore the limits of your artistic ingenuity with alcohol inks. Jump start your creativity!

  • Sales Rank: #12045 in Books
  • Published on: 2015-01-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.21" h x .65" w x 8.90" l, .0 pounds
  • Binding: Spiral-bound
  • 136 pages

About the Author
Cathy Taylor is an award-winning mixed-media artist and popular workshop instructor. She is a signature member of the National Collage Society and the International Society of Experimental Artists.

Most helpful customer reviews

70 of 71 people found the following review helpful.
Love this book - my introduction into alcohol inks
By Nancy R. Moore
Love this book - my introduction into alcohol inks. Thanks for your open sharing of fun techniques - so far I've tried only a few and I love it.

65 of 66 people found the following review helpful.
Gorgeous book with excellent information
By Kscribe
I should begin by stating I am not an artist. I've very recently been experimenting with abstract art and art journaling using watercolors, but I saw a review of this book and was intrigued to learn more about the use of alcohol inks. My book arrived yesterday, and I was impressed from the moment I started reading through it. The author/artist does an exceptional job of explaining this art form and I particularly like her attitude regarding process over product when approaching art. I was so impressed with this book, I actually ordered a second copy for my sister who happens to be an artist with a Masters Degree in Art Education. I'm eager to hear her reaction to this book, but I'm guessing it will be similar to mine. I am hoping to transform an area of my garage into a small studio area for my blossoming interest in watercolor (and now alcohol inks) as art mediums. The book is full of examples presented by a variety of artists working with alcohol inks and the photos are both inspiring and beautiful. Instructions for exploring alcohol inks are clearly explained and the author's enthusiasm is contagious. I would highly recommend this volume for both the established artist AND the person new to painting or expressing themselves via art.

57 of 62 people found the following review helpful.
Vibrant and inspirational - a "don't miss" for art enthusiasts!
By Randy E. Norris
I took a workshop focused on alcohol inks with Cathy 2 years ago, and she told us she was working on this book at the time so I kept looking for it and then pre-ordered it. Well worth the wait! The workshop was fantastic, and this book does a great job of summarizing what can be done with this great art medium. And it does what few art books do - it could stand alone completely as an accessible and well explained "how-to" guide OR as a beautiful compilation of gorgeous pieces of artwork that you'll just want to pick up and look at over and over! This is a favorite now of all my art books!

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Sabtu, 20 September 2014

* Fee Download Sleep and Affect: Assessment, Theory, and Clinical ImplicationsFrom Academic Press

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Sleep and Affect: Assessment, Theory, and Clinical ImplicationsFrom Academic Press

Sleep and Affect: Assessment, Theory, and Clinical Implications synthesizes affective neuroscience research as it relates to sleep psychology and medicine.  Evidence is provided that normal sleep plays an emotional regulatory role in healthy humans.  The book investigates interactions of sleep with both negative and positive emotions, along with their clinical implications.  Sleep research is discussed from a neurobiological, cognitive, and behavioral approach.  Sleep and emotions are explored across the spectrum of mental health from normal mood and sleep to the pathological extremes.  The book, additionally, offers researchers a guide to methods and research design for studying sleep and affect.

This book will be of use to sleep researchers, affective neuroscientists, and clinical psychologists in order to better understand the impact of emotion on sleep as well as the effect of sleep on physical and mental well-being.



  • Contains neurobiological, cognitive, and behavioral approaches
  • Explains methods for examining sleep and affect
  • Summarizes research on sleep and specific affect states
  • Translates research for clinical use in treating disorders

  • Sales Rank: #2478476 in eBooks
  • Published on: 2015-01-21
  • Released on: 2015-01-21
  • Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
The fourth part of the book is an integrative synthesis by the book editors and serves as an excellent heuristic for research an
By Jeffrey M Lohr
Babson, K.A., & Feldner, M. T. (2015). Sleep and affect: Assessment, theory, and clinical implications. New York: Academic Press.
In the forward to this edited book, Edward Pace-Schott says, “Sleep and Affect: Assessment, theory, and clinical implications provides the first comprehensive review of the emerging synthesis between the affective neurosciences and sleep psychology and medicine (p. xiii).” The quotation perfectly captures the substance of the book. Twenty-one chapters are organized into four different parts, some of which are divided further into sections. The first two parts provide for definitions of the central concepts and for research methods in addressing those concepts. Each of the chapters in these parts serve as primers and lay the ground work for the subsequent chapters that elucidate the research that addresses the relationships between the concepts. The third part of the book is divided into sections on sleep and negative affect, sleep and positive affect, and sleep and affect among specific populations such as children, adolescents, and the elderly. Each of these chapters provides an overview of research in the area, including implications for treating problems related to sleep and affect. The section on negative affect provides the most extensive coverage of topics where each chapter addresses the relationship of a particular kind of affect (e.g., anxiety, sleep paralysis, rumination) and reviews the research literature involving correlational, causal, and mediational mechanisms. The emphasis on negative affect accurately reflects the history of sleep research, where problems with sleep were often examined and treated as consequences of psychopathology characterized by negative affect, including disordered anxiety and mood. The fourth part of the book is an integrative synthesis by the book editors and serves as an excellent heuristic for research and application.
The reader will note that there is great diversity in the organization of the constituent chapters. The chapters in the section on negative affect seem to share a bit more coherence among them, but that is as it should be. The longer-term research literature has had time to address conceptual and research issues regarding negative affect and sleep dysregulation. The chapters on positive affect and special populations are based on a shorter history and reveal those shorter histories in chapter content and organization.
In addition to the value of individual chapters for targeted reading, the book as a whole provides a useful synthesis of concepts integral to understanding and studying sleep and affect. For example, Chapter 2 on Human Emotions discusses concepts related to the regulation of emotional experience, which is followed in Chapters 5 and 6 with detailed discussions of methods that can be employed in the laboratory to model and study emotion and sleep, including factors thought to influence emotional experience, such as emotion regulation. When the reader is subsequently provided an in depth review of specific areas of inquiry, such as in Chapter 7 on links between fear and sleep problems, the convergence yields both the knowledge to understand the strengths and limitations of the work underlying current thinking about fear and sleep problems as well as the tools to conduct research that would uniquely advance understanding of links between fear and sleep problems. As such, the book is a resource for teachers that can be used at various levels to take students from being relatively unfamiliar with research on sleep and affect to a point where they could design and conduct sophisticated studies of a complex interplay between sleep and affect. It is, indeed, an area of inquiry ripe for investigation.

Jeffrey M. Lohr, Ph.D., Emeritus Professor, Department of Psychological Science, University of Arkansas-Fayetteville

2 of 2 people found the following review helpful.
This book is undoubtedly the definitive guide to the complex ...
By Bunmi Olatunji, PhD
This book is undoubtedly the definitive guide to the complex interplay between sleep and affect. The author’s offer a critical analysis that sheds much needed light on the interrelationships between sleep and affect. This book- written by the leading experts on the topic- not only offers a clear synthesis of the emerging science, it also offers thoughtful clinical insights. In articulating the synergistic relationship between sleep and effect, the book is able to integrate multiple theoretical perspectives as well as multiple levels of analysis. Accordingly, this book is a must read for any student, researcher, or clinical that is interested in the latest developments on the intersection of sleep and affect.

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Minggu, 14 September 2014

^^ Ebook Leprosy: Quick Facts about This Misunderstood Disease (Illnesses, Disorders, and Diseases That Afflict the World Book 1), by Frank Everest

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Leprosy: Quick Facts about This Misunderstood Disease (Illnesses, Disorders, and Diseases That Afflict the World Book 1), by Frank Everest

Leprosy has been a disease that caused havoc for centuries. People with this disorder were shunned, ostracized, and often forced to live in isolation.

What is leprosy? Is it curable? Can I catch it? What are the symptoms?

This book provides over 30 quick facts to answer these questions and many others. Download this book so you can learn more about this disorder that so many people know so little about.

  • Sales Rank: #1632503 in eBooks
  • Published on: 2015-01-26
  • Released on: 2015-01-26
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Good Information & Easy To Read
By Gary L. Jones
Author summarizes a disease that the Bible described as greatly feared but now is rare and treatable. It helps you understand why it was feared and why we need not fear it.

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Ostland, by David Thomas

Ostland, by David Thomas



Ostland, by David Thomas

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Ostland, by David Thomas

Based on a horrifying true story of one of the Holocaust's worst Nazi war criminals, this novel combines a police procedural, a courtroom thriller, and a fast-paced war-time narrative. In Ostland David Thomas confronts the enigma of how the man who eliminated one of Germany's most notorious serial killers could go on to become a perpetrator of the most heinous crimes against humanity.

In wartime Berlin the brilliant, idealistic young detective Georg Heuser joins the Murder Squad in the midst of the biggest manhunt the city has ever seen. A killer is slaughtering women on S-Bahn trains and leaving their battered bodies by the tracks. Heuser must confront evil eye-to-eye to track down the murderer. Soon after the case is solved, with the winds of world war stirring, Heuser is promoted by the SS and ultimately sent off to oversee the systematic murder of tens of thousands of Jews in the conquered region to the east the Nazis call Ostland.

Nearly twenty years after the end of the war Heuser thinks his diabolical past has been forgotten, but an enterprising young lawyer, Paula Siebert, searching through Soviet archives, discovers evidence of Heuser's wartime crimes. Siebert is haunted by one question: how could a once decent man have become a sadistic monster? Tried in the early 1960s along with other ex-Nazi officers as a war criminal, the wily Heuser deploys his training as a lawyer and years as a police detective to try and distance himself from his co-conspirators and thereby escape justice.

Ostland is a gripping detective thriller, a harrowing account of the Holocaust, and a thought-provoking examination of the human capacity for evil.

  • Sales Rank: #1802994 in Books
  • Published on: 2015-01-06
  • Released on: 2015-01-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.25" w x 6.50" l, 1.25 pounds
  • Binding: Hardcover
  • 400 pages

Review
"An intriguing mix of detection, thriller, courtroom drama, fact and fiction."―The Times

"A thought provoking account of an ordinary person's capacity to do evil... a fascinating, important book."―Literary Review

"With subtlety and intelligence, Thomas joins the historical dots to produce a novel with plenty to say--eloquently--about the brutalising effects of the Holocaust."―John O'Connell, The Guardian

"An ambitious and very powerful novel that reflects the ultimate incomprehensibility of the Holocaust."―Michael Carlson, Crimetime

"[It] encompasses the very best elements of both the crime and historical fiction genres. . . This is a novel that unerringly stimulates the thoughts and emotions of the reader, compounded by the harsh realities of human history that form its foundation. A mesmerising if unsettling read."―Raven Reads Top 5 Crime Novels of 2013

"Very rarely do books reach into your psyche and take root. Ostland came along and kicked my door down. A wonderfully thought-provoking novel. Educational, entertaining and emotive throughout... a first class read by an author at the top of their game."―Crimesquad

"a captivating narrative with a high level of suspense and a morally charged theme. This is a horror story told with grace and passion."―ShelfAwareness

"takes one to the very edge of what really happened in wartime Germany."―The Globe and Mail

About the Author
David Thomas is a journalist and writer, who already has an ongoing thriller franchise under the name of Tom Cain, published in the UK by Transworld. Blood Relative is the first book published under his real name.

Excerpt. © Reprinted by permission. All rights reserved.
Author’s Note
The story that follows is inspired by actual events that occurred in Germany and Russia between February 1941 and July 1944 and by their resolution in the late 1950s and 60s.

Its subject, Georg Heuser, really existed. He was an officer of the Kriminalpolizei, or Criminal Police, and also of the SS. Although I have allowed myself creative licence in describing the minutiae of his day-to-day life and personal relationships, the basic facts of Heuser’s personal history, his detective work and his activities in the occupied Russian city of Minsk are all presented as accurately as possible. Similarly, all descrip­tions of acts of violence, their perpetrators and their victims are based on factual evidence, including contemporary reports, police photographs and sketches, court records, witness testi­monies and subsequent historical research. Court proceedings and verdicts are also quoted verbatim. For reasons of drama and coherence, however, I have marginally altered the timing and/or sequence of some minor events.

Many characters in this book – including all named crim­inal offenders and their victims, police witnesses, senior police and Nazi officials, and SS officers in Minsk – are either histor­ical figures or, in a very few cases, fictionalized versions of real people. Others, such as those investigating Heuser’s past, including Max Kraus and Paula Siebert, are fictional, but their actions – including the trip to gather evidence in Moscow – are based on real events. Likewise, the women with whom Heuser is romantically involved are all imaginary, but again inspired by specific individuals. Heuser really did have an old girlfriend who travelled from Hamburg to meet him in Berlin in February 1942, and three Jewish siblings lived in the base­ment of the Lenin House in Minsk and left the city in the manner described in the book. The words and opinions attrib­uted to Heuser himself are also based wherever possible on what he is known to have written and said, or what others said about him. My depiction of Heuser’s innermost thoughts and feelings is, of course, entirely imaginary.
In order to make police and SS ranks easier to read and understand I have anglicized almost all of them, to one degree or another. But for those who are interested in these things, Heuser’s wartime police ranks rose from Hilfskommissar to Kriminalkommissar and eventually Kriminalrat (of all Nazi titles the one that surely sounds the most appropriate to a British ear). His corresponding SS ranks were Untersturmführer, Ober ­sturmführer andHauptsturmführer.

In German, the name Heuser is pronounced ‘Hoyzer’, so that the first syllable rhymes with ‘noise’. Meanwhile Georg is pronounced with two hard ‘g’s and separate sounds for the ‘e’ and ‘o’, thus: ‘Gay-org’, to rhyme with ‘morgue’.

David Thomas, West Sussex, 2013

Chapter 1
Ludwigsburg, West Germany: 23 July 1959

The police chief was naked when they came to arrest him.

‘Well, we got him,’ said Max Kraus, appearing at the office door, his massive figure filling the entire frame. The three investigators waiting for the news responded with a mixture of genuine enthusiasm and semi-sarcastic applause. It was a hot summer’s day, so all the windows were open, but Kraus had no trouble making himself heard over the sounds coming in from the street outside: the chatter of the passers-by, the clacking of heels on the pavement and the rumbling of all the new Mercedes, Opels and Volkswagens produced by a miraculously reborn economy. Somewhere in the distance a radio was playing Elvis Presley singing ‘A Fool Such As I’. Presley himself was just a couple of hundred kilometres away in Friedberg, serving as an armoured recon scout in the US army. Fifteen years earlier Uncle Sam had sent his finest young men to invade Germany. Now he sent them to defend it.

‘Took their time,’ muttered one of the investigators, a paunchy, middle-aged man called Andreas Becker. He stubbed his cigarette out with a lazy stab that suggested, accurately, that he was hardly a man to rush things himself. Eight days had gone by since the arrest warrant was issued, but it had taken a full week for the authorities in Rhineland-Pfalz to accept that they had to seize their own chief of detectives. Most of the people making the decision knew him personally, and there had never been anything in his behaviour, whether personal or professional, to suggest the slightest impropriety. But the weight of evidence was undeniable and so with heavy hearts they’d given their approval.

‘Better late than never,’ Kraus said, as if it were all the same to him, though all his staff knew that he had been the driving force in the investigation, forcing it through the barriers of official indifference, scepticism and outright opposition with a mental rigour that could be as overpowering as his physical impact.

‘So where did they find the Beagle, anyway?’ Becker asked. The police chief had been given his canine nickname by his own detectives as a tribute to his uncanny nose for crime. Kraus and his team had picked it up as a way of referring to their target without alerting anyone that he was under suspi­cion. Even when the need for a codename had passed, they often still called him Beagle out of sheer force of habit.

‘On holiday in Bad Orb,’ Kraus replied.

‘Very gemütlich!’ said another of the investigators, Florian Wessel. He was even older than Becker and this backwater posting was his last before retirement.

‘Oh really, is it nice?’ asked Paula Siebert. The only woman on the team, and much its youngest member, she’d passed the same law exams as Becker and Wessel; her business cards clearly gave her status as Dr Siebert; and she was just as compe­tent, just as ambitious and much harder-working than either of her colleagues. But no matter how many of those cards she handed out, the concept of a female lawyer was still so hard for most people to grasp that she regularly found herself being called ‘my dear’ or even ‘darling’ as she was asked to fetch the coffee and biscuits. And when she put questions to witnesses she was often greeted with absolute incredulity, as if the only possible reason for her presence at an interview was to take shorthand notes.
‘Did you know that German women have been allowed to practise law since 1922? That’s almost forty years ago!’ she’d said to Kraus after one particularly infuriating encounter.

‘Yes, but men have been lawyers since Roman times. You can’t expect people to change overnight.’

‘It’s just so frustrating sometimes. Even my mother keeps telling me I should give up and find a nice husband. “Your looks won’t last for ever, Paula. And no man wants a woman who cares more about her stupid little job than making him happy.” Ach!’
Kraus laughed. ‘Well, I can’t help you find a husband. Or deal with your mother . . . But I do know how good you are at your job, and I’m your boss. So forget what anyone else says, that’s what matters.’

Paula hoped he was right, but now she was cursing herself. Here they were discussing the arrest of a major suspect and the first thing she asked about was his choice of holiday resort. Little things like that only confirmed people’s worst preju­dices about empty-headed females.

‘Bad Orb?’ said Wessel, who seemed only too happy that Paula had for once reacted as he would expect a woman to do. ‘Yes, very nice. It’s in Hesse, right in the middle of the Spessart Nature Park. Lots of scenic views and endless cobbled streets, lined with old, half-timbered houses. You know the sort of thing: steep roofs, wooden beams all painted in different colours, very jolly. So what was our boy up to when they got him?’

‘Taking a bath,’ said Kraus. ‘The local police burst in and there he was, bobbing about in the water, surrounded by other respectable folk, as hot and pink as a freshly boiled ham.’
Even Becker could not help but join in the laughter at the image of the Beagle being caught in such embarrassing circum­stances. Paula thought of the smooth, confident, astonish­ingly youthful face that looked out in three-quarter profile from his police identity card. Some women might well find it attractive, though she couldn’t begin to think of him in those terms herself. Paula was well aware that there was no link between a man’s behaviour and his external appearance. Even so it outraged her that the Beagle’s skin should have remained so unlined, as though he’d been entirely imper­vious to everything that he’d seen and done. His eyes were very slightly narrowed, his mouth set with the sort of self-conscious firmness with which an actor or a politician might convey manly strength and determination. He had a fine head of neatly combed and pomaded hair without a trace of grey. Only a slight thickness at the neck and jaw betrayed the softening of middle age.

‘I’ll say one thing for the sick bastard,’ continued Kraus, ‘he has a certain style about him. Apparently he got out of the bath, stark naked and dripping wet, and asked the arresting officer whether he might be allowed to dry himself and put on some clothes before they led him away. So they all had to accompany him back to his hotel room. He got into a smart suit, kissed his wife goodbye and marched off to the police car with his head held high.’

‘Do you think he expects to get away with it?’ Paula asked.

‘Why not?’ Kraus replied. ‘He’s always got away with it before.’

That was certainly true enough. Once the investigators had been put on to the Beagle’s trail they soon realized that there had been plenty of opportunities to catch him in the past. Strauch, for example, had mentioned him in his evidence. But the court stenographer had misspelt the Beagle’s name, and so no one had made the connection. Now Strauch was dead and his information had died with him. Rübe had named him too, with the correct spelling, but the lead had never been followed up. Two court psychiatrists had examined Rübe at his trial. One said he had a schizoid personality. The other claimed he was a pathological sexual sadist. Either way, Rübe was crazy.
Whatever evidence he gave, no one was likely to accord it the slightest significance.
None of the other guilty men had said a word. A conspiracy of powerful, strong-willed individuals is
almost impossible to break as long as they remain united and, above all, silent. But as Kraus liked to say, ‘If the water keeps rising, eventually the dam will burst.’ So his tactics were always to keep collecting evidence, increasing pressure, going back again and again until – the first crack in the great concrete wall – one of the group lost their nerve and started to talk. That was what had happened. A few months earlier they’d arrested Ehrlinger and presented him with evidence he couldn’t deny. He’d blabbed and that had led them to the Beagle.

Kraus looked round at the pitifully small, inexperienced, under-resourced forces at his command. There were only a very few idealists like him who were prepared to sacrifice their careers to work in an organization that was held in as much disregard as this one. The staff had therefore been recruited from those who had nowhere else to go. Paula was twice as good as both her male colleagues put together and yet they still regarded her as their inferior. Kraus wondered how long it would take her to realize that she had no real chance of establishing the kind of career her talent and energy deserved: not before this case had finally been dealt with, he hoped.

He let his people bask in their moment of glory for a few seconds, then his voice took on a tougher, more forceful urgency: ‘Listen up, ladies and gentlemen, this isn’t the end of the case. This is the beginning. We still need evidence that will stand up in court, and that means witnesses, documents, unequivocal facts that no smart-arsed defendant can deny. And as you’re all only too well aware, absolutely no one will be keen to help you. The Beagle is a brilliant detective. He’s admired and respected by every cop, every public prosecutor, every judge, every politician you’re ever likely to speak to. Even the journalists like him. So the moment you leave this office, you enter enemy territory.’

The door slammed behind him, leaving behind a much more subdued group of investigators.

‘He’s right, you know,’ Wessel said. ‘Some of my old chums at the prosecutor’s office look at me with pity, as if I’ve caught some tragic, disfiguring disease. The others don’t even bother to hide their contempt.’

‘The cops are worse,’ said Becker. ‘The moment I tell them I’m working for the ZSL, I can see actual hatred in their eyes. They think we’re traitors. They’d happily shoot the lot of us and dump our bodies in the Neckar if they thought that would get the Beagle off the hook.’

Suddenly the office swung open and crashed against the office wall. The three lawyers turned round to see Kraus stand­ing there again.

‘One more thing,’ he said. ‘I’ve had enough of this Beagle nonsense. The man is the suspect in the biggest criminal case since the creation of the Federal Republic. So let’s not pretend he’s a jolly little puppy dog. From now on we call him by his real name: Georg Albert Wilhelm Heuser.’

Chapter 2

Berlin, Germany: 11.35 p.m. 6 February – 8.15 a.m. 7 February 1941

Not all the propaganda lied. In those early months of 1941, we truly were the master race. We ruled a European empire that stretched from the Atlantic coast of Brittany in the west, to the Russian border in the east: from the northernmost tip of Norway to the sands of the Sahara Desert. And at the heart of it all was my home town, the capital of the Reich: Berlin.

Marlene Dietrich used to sing that Berlin was the centre of the world, the pearl on the River Spree. But that was when she was still a true Berliner, not a Hollywood movie star who called herself an American. That was when the whole town lit up when the sun went down and you could go to the Haus Vaterland on the Potsdamer Platz, eat dishes from Turkey, Japan, Italy or Spain and dance to eight different bands in a single evening. In those early months of ’41, however, Berlin had become a black pearl at the centre of a world war and the most familiar night music was the wail of the air raid sirens. The lights had all gone out. And in the absolute, impenetrable darkness of the blackout the beasts and demons that lurked in the city’s underbelly emerged to stalk their prey.

At twenty-five minutes to midnight on the night of Tuesday, 6 February, the worst of them all was strolling down the centre aisle of an S-Bahn train – one of the old Type 477s that can still be seen on the network to this day. The smattering of late-night passengers sat on wooden benches topped by metal handrails. There was wood panelling on the walls, with a luggage rack just beneath the ceiling. Each carriage possessed eight sets of sliding doors, four on either side. To us Berliners, a carriage such as this was as familiar as our own front rooms, an environment we hardly even noticed, any more than anyone looked twice at the man now making his way between the seats.
He was not an impressive specimen. He had oyster eyes and a fleshy nose – Jewish-looking, as some back then might have said. A meagre little moustache sat above his sullen mouth, and his lower lip was set in a permanent pout of resentful disapproval. He was the illegitimate son of a farmhouse servant called Marie Saga: father unknown. His education was limited, to put it politely. He was twenty-eight years old, in his phys­ical prime, but a broken wrist acquired in a minor accident while serving among the occupying forces in France had rendered him unfit for combat. That was why he’d come back home, after just a few months’ military service.

His injury had not, however, prevented him murdering six women. Another half-dozen had somehow survived being battered, stabbed and discarded like broken dolls beside the tracks of the very line on which this train was now travelling, or being left for dead in the gardens and allotments near his suburban home. There had been perhaps thirty further assaults: he’d not kept a precise count.

This campaign against the female sex had been going on since 1938 – longer than the Führer’s own war – but barely two months had passed since the authorities finally woke up to his murderous existence. Now the full weight of the Berlin police had been brought to bear. Thousands of possible suspects had been interviewed. The trains and stations of the S3 line – the killer’s particular hunting ground – had been flooded with uniformed officers. The authorities had done their best to keep official coverage of the case to a bare minimum, but rumours still swirled through the city. Everyone was talking about the S-Bahn murderer.

And here he was, at twenty-five minutes before midnight, prowling amongst the passengers as anonymously as death itself while the train moved out of Karlshorst in the south­eastern suburbs and headed towards the city centre. There were blackout blinds over the windows and the only light in the carriage came from a single dim blue bulb that provided just enough illumination to enable people to find their way around, but no more than that. The men and women scattered amongst the polished wooden benches were hunched and huddled, shivering in clothes whose meagre wartime fabrics gave scant protection against the winter weather. Stout boots and thick leather soles were fast becoming a thing of the past. Now the people’s footwear was often as cardboard as their food, quite possibly because the same sawdust was used for both. Cold and damp seeped deep into the bones, sapping energy and attentiveness alike. The only time that anyone even marked the killer’s passing was when he opened the connecting door between one carriage and another, letting in a freezing blast of snow-dusted air, provoking a few muttered obscenities before he closed the door and entered the next . . . and the next . . . until he finally he found what he was looking for.

The woman wasn’t particularly young or pretty. She did not conform to any specific character type: this wasn’t a man who sought out only whores, schoolgirls or the elderly as his victims. There was, as we would later discover, one particular quality that this man required from his victims, but even that was secondary to the main thing that interested him about this particular female. She was sitting by herself, alone and unpro­tected.

He looked around, checking that he hadn’t missed any other passengers. He tried to control his mounting excitement like a dog owner desperately clinging to the lead of a running hound as his pulse started to hammer, his breathing grew heavier and his cock swelled beneath his rough woollen trousers. His rage was rising along with his lust. He did not see a respectable woman in front of him, just a filthy, germ-laden infector of men. To him she was the killer, the spreader of death, a criminal who deserved to be punished.

And punish her he would. He bent his right hand behind him, wrapping his fingers round the length of rubber-wrapped copper telephone cable as thick as his wrist that he’d hidden up the sleeve of his jacket. This was the bludgeon with which he had cracked skulls and ended lives. He was practised in its use and confident in his method. Killing, like anything else, is a skill that improves with repetition, and he’d become very good at what he did.
He took another few paces down the aisle. There were shoulder-high partitions in pairs beside each set of doors and the killer needed to be sure that no one was concealed on a bench behind one of these partitions.

The discovery that she really was alone came to him as a great relief. It hadn’t been easy waiting for the perfect moment when he was free to walk the trains; when the cops were looking somewhere else for once; when there was a solitary woman offering herself up as a sacrifice. But here it was. He did not have to hold back any longer. He could satisfy the urges that had been burning in him unassuaged for more than a month since his last killing.

He stepped towards her and gave a polite cough to signal his presence no more than a couple of metres from where she sat. She looked up and saw him, a man looming over her in a deserted railway carriage in the middle of the night.

Then she smiled.

She suspected nothing. She felt completely safe. Quite calmly she pulled off one glove and then the other to make it easier to rummage in her jacket pocket. And that was when he took one long stride towards her and let the length of cable slide down the back of his arm, slipping through his fingers until he gripped it again at the far end. Now he was raising his arm and as she saw what was in his hand the look on her face changed from complacent security to the first wide-eyed tremor of alarm. He twisted his shoulders, gathering his strength. Her mouth opened to scream in terror, but the scream was silenced before it had left her throat as the bludgeon swung down, smashing through the pathetic defence of her upturned arms and crunching into her skull.
As the bone crumpled beneath the impact of his weapon the killer entered a new, blissful state in which all his senses were heightened. Time slowed down for him so that he was perfectly aware of the effect of every single blow as he brought the telephone cable down again and again. His eyes seemed to cut through the gloom of the half-lit carriage, perceiving every drop of blood spattering from the gaping wound, each strand of hair upon the battered head. He pounded his arm up and down in a vile, destructive parody of masturbation, smashing her long after she’d lost consciousness, even when life itself had left her, until, with a hoarse, ecstatic cry, he achieved his orgasm and the battering finally ceased.

The killer would have loved to linger a while to savour the pleasure of what he’d done, but there was no time for that. He knew very well how long it took the train to travel between each and every station on the line and he’d spent too long finding his victim to allow himself even the briefest indul­gence now. Instead he had to focus on the disposal of her body.

He placed his weapon on the seat close to where the woman was lolling, head down, battered skull exposed, devoid of any sign of life. Her gloves had fallen on to the carriage floor, so he picked them up and stuffed them into one of his trouser pockets. Then he pulled the woman from her seat on to the floor and reached down to grab the back of the jacket. His intention was to drag her along the floor to the nearest set of doors. But the jacket was made from a heavy, pre-war woollen fabric, lined with satin and belted at the waist, and all he succeeded in doing was pulling it away from her body so that it bunched under her armpits, forced her arms over her head and ended up in a cumbersome tangle, half-on and half-off. Meanwhile her body had barely moved five centimetres.

The killer cursed under his breath, beginning to worry now as the next station drew ever closer. His arrogant composure was fraying badly, giving way to a much more familiar mood of simmering resentment: once again the world was against him.

He wasn’t beaten yet, though. He pulled the jacket right off and threw it towards the nearest doors on the left-hand side of the carriage. Now the woman was much easier to handle and it was only a matter of seconds before he’d pulled her to the doors. He dropped her beside the coat as casually as if he were back on the farm, dumping a sack of chicken feed in the barn. The thud of her head and shoulders against the linoleum and the grotesquely distorted expression on her upturned face – one eye wide open, yet sightless; the other barely distin­guishable amidst the bloody pulp of her ravaged skull – did not register with him at all.

Bracing himself against the piercing gale, the killer pulled on the door handle and heaved the woman’s body out into the night. The gloves and coat followed in quick succession. His task complete, he closed the door again, heaved a sigh of relief, took off his cap and passed a hand over his sweaty brow. He walked back to where the woman had been sitting and picked up the bloodstained cable, which he stuffed back up his sleeve. The next stop was Rummelsburg Depot. When the train arrived he got off and made his way down the deserted platform. No one boarded the carriage he’d just left. No one noticed him as he made his way out. In the blue half-light of the carriage no one spotted any traces of blood against the dark red floor.

The S-Bahn murderer had just struck for the seventh time. And I meanwhile was lying in bed, trying and miserably failing to get some sleep.

Most helpful customer reviews

8 of 9 people found the following review helpful.
Powerful and disturbing
By Guy R Florin
I thought I knew all about the Holocaust and the concentration camps in WW II. But I didn't know anything about what happened in the Russian city of Minsk whilst it was under German occupation. This fascinating book tells the (true) story of Heuser, an ambitious young German detective who was posted to Minsk during the war. He arrives eager to do his job (and obtain promotion) but with no idea of the horrific events that are taking place there. Ostland describes these horrific events and, despite Heuser's initial reluctance to become involved, the subsequent loss of his moral compass. The historical detail is very interesting and accurate. All the characters are believable and the female characters sympathetically drawn. There are some very powerful and disturbing scenes which will remain with you long afterwards. The chapters are short and move between during the war and post-war. I highly recommend this book.

0 of 0 people found the following review helpful.
Compelling
By Susie
I can understand how an individual could become so twisted to murder or torture people, but what I couldn't understand is how a country, a tremendously large amount of people could perform unspeakable atrocities to millions of people.

David Thomas' recounting of one man's journey from being a decent human being to becoming a cold hearted murderer was very insightful, the progression clearly laid out.

Also interesting to me is the amount of planning and organization was put into their plan.

I read crime fiction and have only gotten glimpses of what took place then, this is the first I've read that centers on the Holocaust, it was quite an experience.

I was so impressed by his writing I immediately looked for other books and found he has a crime fiction series under the name of Tom Cain. I just started Blood of Cain (Sean O'Brien) Mystery, so far so good.

0 of 0 people found the following review helpful.
Surprising
By R. Albin
This book appears to have been marketed in the USA as a thriller or crime novel. It is, in fact, a serious effort to examine the nature of evil. It contains 3 components; a police procedural narrative of the hunt for a serial killer in WWII Berlin, a narrative of an effort to prosecute German war criminals in the late 50s and early 60s, and an autobiographical account by the principal character of his participation in numerous war crimes in WWII Minsk. The latter is about 1/2 the book. Inspired by an actual case of a German policeman prosecuted in the early 1960s, Thomas drew on the documentary record and other sources such as Christopher Browning's excellent books. Thomas is a competent, as opposed to gifted, writer but his unornamented descriptions of atrocities are powerful. Thomas is interested in the relationship between careerism and evil, how crimes are defined, and the amnesia of 1950s Germany. None of these topics are explored in depth but this is a surprisingly effective book.

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