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"I believe in the absolute necessity of a new art of colour, of drawing and—of the artistic life," Vincent van Gogh wrote to his brother Theo in 1888. "And if we work in that faith, it seems to me that there's a chance that our hopes won't be in vain." His prediction would come true. In his brief and explosively creative life—he committed suicide a few years later at the age of thirty-seven—Van Gogh made us see the world in a new way. His shining landscapes of Provence and somber portraits of workers shattered the relationship between light and dark, and his hallucinatory visions were so bright they nearly blinded the world.
He was a great writer as well. In his six hundred–plus letters to Theo he chronicled with heartbreaking urgency his mental breakdowns, acrimonious family relations, and struggles with art dealers, who largely ignored him until the last years of his life. Shading this dark story is the artist’s acquaintance with prostitutes and penury, stormy scenes with his friend Paul Gauguin, and dissipated Parisian nights with Henri de Toulouse-Lautrec.
Julian Bell’s passion for his subject brings the painter to life. Bell writes with slashing intensity, at once scholarly and defiantly partisan. “I have written this book out of my love for Vincent van Gogh, the uniquely exciting painter, and Vincent van Gogh, the letter writer of heart-piercing eloquence,” he declares. For Bell, Van Gogh was an artistic genius and more: he was a wonder of the world.
- Sales Rank: #541102 in Books
- Published on: 2015-01-06
- Released on: 2015-01-06
- Original language: English
- Number of items: 1
- Dimensions: 7.00" h x 5.00" w x 1.00" l, 1.00 pounds
- Binding: Hardcover
- 176 pages
Review
“What distinguishes Bell's elegant rendering is an astute perception of his artistic vision and shimmering descriptions of his work…A graceful, empathetic, deeply probing portrait.” —Kirkus Reviews
“Bell bring his insight as a fellow artist to the life and work of Vincent Van Gogh in a condensed, accessible primer on the renowned artist." —Publishers Weekly
"Vincent Van Gogh’s life story is almost too well known, but Julian Bell has made it harrowing, urgent, and touching all over again. Bell's pulsing, immaculately carpentered language is an event in itself. Passage after passage made me stare in wonder (and some jealousy) at his word choices and the never conventional rhythms of his sentences. And how great to have Van Gogh’s story told without heroics or sentimentality—and with the edgy vitality with which it was lived." —Sanford Schwartz
“Van Gogh writes beautifully about his own life and art, but his words don’t always match what he painted or what he did. Bell works the gaps, poring over a drawing, scanning the artistic horizon, backtracking to make a connection, delivering an irreverent aside. Bell interprets; the result is captivating.” —The New York Times Book Review
“A splendid new biography.” —The New York Review of Books
“An impressively concise biography.” —The Wall Street Journal
“[A] short, fervent biography…a respectful portrait of van Gogh.” —The Washington Post
“Bell, like van Gogh, writes to explain what painting won’t.” —The Toronto Star
About the Author
Julian Bell has a BA in English from Oxford. He is the author of What is Painting? Representation and Modern Art (1999) and Mirror of the World: A New History of Art (2007).
Most helpful customer reviews
49 of 51 people found the following review helpful.
A painter's biography of Van Gogh
By Epilady
Julian Bell is a painter who has penned Van Gogh: A Power Seething, and because of that background, it's a slightly different take on a biography. Bell discusses a lot of Van Gogh's attitudes towards painting, including the shift between reality and imaginative painting, and discusses how Van Gogh had such a strong fascination with the bold and intense colors that characterize many of his famous works. The understanding of color play and the emotional integration of them are some of the most memorable moments from this book.
It's a relatively short tome - by no means a comprehensive look at Van Gogh's life - but hits the highlights (and lowlights) of his life. Bell discusses Van Gogh's temperament (bi-polar), passion for prostitutes (and contraction of several STDs like syphilis and gonorrhea that may have helped hasten his death via mental illness) so it reads as a mostly fair treatment of the artist, with little bias. Included are some excerpts of letters to his brother, Theo, which express his frustration, rage, and inability to financially support himself.
The one improvement would be to have a reproduction of the pieces that Bell mentions in the book. Besides the famous Van Gogh paintings that almost everyone knows, Bell discusses other, much lesser known ones, and it would have been nice to have those integrated into the text (or even listed in an appendix) rather than having to turn to another source to see what that paintings looked like. There is a vangoghgallery website that lists the comprehensive works, and may be useful to other readers.
Recommended for readers who want to know highlights of Van Gogh's life.
38 of 40 people found the following review helpful.
A Portrait Of Van Gogh
By Ken Fontenot
I picked up Julian Bell's "Van Gogh: A Power Seething" hoping to gain some insight on the man that is so well known for works like "The Starry Night" and "Wheatfield With Crows." I've always been interested in Van Gogh's work and his frantic life, and Bell does a very decent job of giving a summary of both in this book.
It's a biography primarily culled from the letters that Vincent Van Gogh wrote to his brother Theo, as well as a few to his sister, Wil, and his mother, Ana. This provides the reader with a very personal look at Vincent's life. He had a way with words that was nearly equal to his work with paint. Reading these excerpts from his letters was the most enjoyable aspect of this book. Other letters (primarily from Theo to Vincent) and other sources were also used.
Bell covers the entirety of Van Gogh's brief and often tumultuous life, using the letters to describe his bouts of anger, frustration, and melancholy as a result of a mental illness that seemed to get worse as he aged. Bell shows us how Vincent and Theo truly were loving brothers despite numerous confrontations with each other. We also get to see how Vincent could become extremely gentle and caring in the way that he helped his mother when she became bedridden for awhile due to injury and in the way he loved the child of Gordina de Groot despite not being the boy's father.
In short, Bell lets us see the life of one of the greatest artists ever (at least in my opinion) and shows us just how truly tragic it was.
So why three stars? For starters (and this is just my opinon), Bell's use of the letters and then interweaving his own writing between often made it difficult to see where Van Gogh's writing ended and Bell's began. Bell's overall writing style is also a bit too wordy in my opinion. I'm as much of a fan of big words and mouthy descriptions as any other fellow, but it grew tiring to read some of Bell's long-winded prose after awhile.
Despite the style of writing used (and again, this is in my opinion), this book is an excellent brief description of the life of someone who happens to be one of my favorite artists. It has made me hungry to learn more about Vincent Van Gogh, and I plan to do just that.
41 of 47 people found the following review helpful.
The Van Gogh romantic might best avoid this work...
By Knits in Tardis
...and we know who we are, or should. We sat around with our girlfriends in college, singing along with a cassette recording of "Starry Starry Night" with Don McClean, tearier than sober freshmen have any right to be on such an occasion. Decades later, we watched breathlessly as a fiery "ultimate ginger" of Dutch descent parried with the equally acid-tongued Amy Pond in a dark-tinged but lyrical Doctor Who episode.
Let's face it, we don't want to actually know who this Vincent Van Gogh guy *was*.
What he was, Julian Bell tells us, was a bright intellect, a horrible student, the mentally afflicted eldest boy in a family beset with mental illness. It might have been due to these issues that he was so alienated from his fellow human beings, but by all reports he was harsh, disagreeable, self-absorbed, self-pitying, non-empathic and even vindictive -- never simply mopey, awkward, or misunderstood. The kind of guy who stalks the uninterested daughter of family friends, insisting that she marry him, and stirs up late night yelling matching with her folks and his in the process. The kind of guy who cuts off and proffers a part of his ear to a prostitute, spurred by some fevered notion of making a metaphorical show of political solidarity.
Still singing along?
Oh, and also in possession of unquenchable curiosity and a keen sense of awe and an even keener ability to translate raw raging emotion into color and brushstrokes. That's why he's immortal, although the name turned into a legend that the artist himself would not recognize. The real story is worlds away from any kind of pretty one.
Not that I'm taken completely by surprise. Biographies of artists have a way of going sour, even if those subjects rarely affect the false yet genial pose of carefully crafted celebrity persona. (Then again, there has lately been a lot of talk about what a cuddly guy Norman Rockwell really wasn't.)
If I seem flippant, perhaps it's because I'm more affected by the disconnect between the historically revealed Vincent Van Gogh and the fabled dreamer of the starry night, than I'd like to admit.
This book is written not just with historical diligence but a delicate hand and well-informed speculations to fill the gaps where information is missing about life. In some ways, I'd almost like as detailed a biography of his brother, who can be credited as much as the artist for his work, insofar as Theo was the one stabilizing influence in Vincent's life, and he came to almost as ignominious an end -- due to complications of syphilis. A lot of this book is a tribute to the brother who stood by Vincent even while conceding, "It appears as if there are two different beings in him, the one marvelously gifted, fine and delicate, and the other selfish and heartless."
Occasionally reticent but generally remorseless, Mr. Bell is nothing if not faithful to history. Five stars for breaking my heart and then stomping on it.
And now I'm going to watch that Doctor Who episode again.
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